Showing posts with label Siria Nightingale. Show all posts
Showing posts with label Siria Nightingale. Show all posts

Thursday, August 4, 2011

Manuscripts Are Like Children

Happy Thursday to you!

I am pleased to say that last week's begging and pleading worked out very well. The readers who volunteered to take SUNCHILD to their bosoms and thump all the hiccups and burps from her tender little frame were more plentiful and talented than I could have ever hoped. It delights me to know that she is in such capable hands.

Of course, she is only in those hands because I have at long last relinquished her from my own. Which brings me to the point I'd like to discuss (on the metaphor I've already started, because it works pretty well): What do you do with yourself when your baby goes into the world for the first time?

Now, I've never given birth to a human child before. I haven't given birth to an animal child either, although I've found myself in the position of mothering two different baby-beasts in my adult life.  But I have now conceived, carried, birthed, and nursed five full novels into maturity, two of which (and now three) have left me to go striding out across the wide world to seek their fortunes.



I confess this loss to have a strange effect on me.

The first thing that happens once I tie up all the fragmented ends of a young manuscript--brush its hair, you know, and tidy its outfit and wash its face--and send it off into someone else's care is that I feel a miraculous sense of relief. The thing is done! I think to myself, breathing my first deep breath of freedom and standing up from my computer to see if my numb limbs still function properly. I can do anything I want! I can watch a movie! I can eat a sandwich! I can change out of my ratty t-shirt and go out on the town!

But the moment this sense of possibility breaks over me with all its brilliant rays, I remember the list that has been accumulating for months as I have inched, slothlike, toward this stage of manuscript near-completion. The list includes things like, "Pay rent" and "Buy dog food" and "Wash your hair," and it goes on for pages and pages--which are of course scattered over my entire apartment, on various scraps of trash or folded post-its, and which could not all be located even if I had the motivation to try. So my raptures are extinguished as quickly as they ignited, and I merely replace one ratty t-shirt with another and set to finding and carrying out the list.


By the time the list has been reasonably reduced, though, I find that something strange has happened to me. I no longer have the urge to watch a movie or make a sandwich. My desire to wear something socially acceptable and go out in public has vanished. I can think of only one thing I truly want to do: Write.

This stage of the process is called MANUSCRIPT WITHDRAWAL. During this stage, a writer experiences selective memory loss with regard to the manuscript they have released into the wild: they can no longer recall the feeling of murderous frustration they experienced when gazing upon that stubborn section that refused to comply to their wishes; they have no memory whatsoever of the grueling headache that plagued them during their last week of revisions; most remarkably of all, they cannot imagine what would have possessed them to daydream of time spent away from the project, when the only thing worth doing in the world was--and IS--spending time on that manuscript!

I have felt symptoms of this illness coming on in the last few days, usually manifested in periods spent staring listlessly at my desk, wondering if I should do something, but not knowing what that something might be. And I know how it goes. Before long, I'll delude myself into thinking I want that annoying, time-devouring child back.

Which of course I do. 

But I still had better not waste this precious time I have now. So. What do YOU do while you take breaks from manuscripts? Start another project? Take some intentional time away from writing? Fuel yourself into productivity by means of bribery, threats, or coercion?

And if you have no manuscript, but you have other kinds of babies (humans, animals, chia-pets, etc.), how do you get some healthy distance from them, and refresh yourself while you are apart?


I want to know.

Sunday, July 24, 2011

Call for Betas

Well, well, well!  Look who it is!

Yep.  It's me.

Nothing like a lengthy, unplanned hiatus to make you forget you have a blog, eh?  But I've remembered, and what's more, I've decided to keep on remembering.  In other words, I think it's time to get back in the proverbial blog saddle and start posting again.  Because I'm inches away from finishing my first revision of SUNCHILD, and that means more time for other types of writing.

Which brings me to the main purpose of this post.

I need beta readers.  

(If you don't have the foggiest idea what a beta reader is, click this link and have a look at what Casey McCormick has to say on the subject.)

What I'll be asking you to do, essentially, is to read the manuscript from beginning to end, while keeping a shrewd eye out for things that slow you down, things that don't make sense, and things that make you want to stop reading and go vomit instead (although I hope there will be very few of those instances).  Your assistance in this vital step of the revision process will help me iron out kinks in plot, pacing, and flow, and will demonstrate to me what more needs to happen before SUNCHILD will be ready for querying.  But please be advised, should you decide to offer your help, that the manuscript is still in rough draft form.  It will at times be very like slogging through a swamp.


The book, in case you are wondering, is YA fantasy, and it is currently floating at a little over 100,000 words.  Essentially, it's about a girl with a magical connection to the sun who lives in a land that's cursed by darkness, facing this question: how can a sunchild be who she's meant to be--and save her kingdom to boot--when she has never even seen the sun?  (For more, please click here.)

If you are interested in being a beta reader for SUNCHILD, please email me at hanna.c.howard(at)gmail.com, and I will add you to the list of people whom I will love and adore forever and ever, amen, and send you a very fat attachment on Friday, July 29, which is my self-inflicted deadline.

If you are not interested, then this post is largely irrelevant to you, and I must therefore beg you to stay tuned for my next missive, because I promise I'll return soon.  No more shlepping along silently.  I'm back, now, and I'm determined to stay.  Let's talk writing, folks, and let's talk life.

Let's be e-friends, shall we?




Monday, April 25, 2011

On Typing THE END.

You might have noticed that I've been rather scarce around here for the last few months.  Here's one reason:



This means that I work at a plant nursery, and spring is our equivalent to the Christmas season. 
But here is the the main reason:


This is Siria Nightingale.  She's the protagonist in my WIP, and she's done a fairly good job of keeping me singularly occupied since December.  Turns out, her story was one of those utterly consuming ones that doesn't let you rest until you've sat your little self down and told it in full.  But here's the good news: Today I typed the words, THE END at the bottom of Siria's word document.  This means I can relax a little bit, because revisions are not quite as consuming as first drafts tend to be.

But that brings me to the main point of this post.  I have a few questions for you all.  

If you are a writer, here's your question:

When you type THE END, what does your next step tend to be?  How do you personally approach the massive undertaking of revising, editing, and polishing your manuscript?  Do you use beta readers?  And if so, how do you find them, and what do you ask them to do?

And if you are a reader, here's yours:

What do you expect out of the ends of books?  What has made you feel most satisfied when you close the back cover of a book, and what makes you want to open the front cover right away and read it all over again?  How do you feel about cliffhanger endings?  In a series, what kind of ending makes you ache with satisfaction, even knowing that you have more books to read before you know the whole story?

Please share!  I have loved hearing your responses to previous questions, and I find the variety of opinions fascinating.  Happy Monday to you all!