Showing posts with label Motley Monday. Show all posts
Showing posts with label Motley Monday. Show all posts

Monday, August 29, 2011

Why What We Do Is Hard

You know it. I know it. And very often, we start to let the difficulty of writing give birth to insecurities that plague our whole existence. It isn't bad enough, apparently, to consider giving up on writing; we must also degrade ourselves into believing we are bad at life in general.

The funny thing is, this problem seems to extend well beyond the glorious milestones of representation and publication. Beth Revis, author of Across the Universe, admits to her insecurities on her blog, here. Jody Hedlund, award winning author, shares many of hers here. And the Authoress of Miss Snark's First Victim confesses her own fears here.


I recently read a Slate article by Michael Agger which shed some light on this widespread issue of self-doubt in writers. In it, Agger explains what should be a very simple and obvious fact to those of us who write: writing is hard. Here are some highlights from that article:


"Writing extended texts for publication is a major cognitive challenge, even for professionals who compose for a living... Serious writing is at once a thinking task, a language task, and a memory task." (Ronald Kellogg, Professional Writing Expertise)


It requires the same kind of mental effort as a high-level chess match or an expert musical performance... Kellogg terms the highest level of writing as "knowledge-crafting." In that state, the writer's brain is juggling three things: the actual text, what you plan to say next, and—most crucially—theories of how your imagined readership will interpret what's being written. A highly skilled writer can simultaneously be a writer, editor, and audience. (Link)


I don't know about you, but I find these passages to be both comforting and liberating. Writing is a highly solitary craft, and when you hold yourself to a high standard, it is quite easy to become discouraged; you rarely have someone next to you all the time to pat you on the back and say, "Hey, you're doing just fine! This is hard stuff, you know!" And the moment you indulge the whiny little voice in your head complaining about how difficult writing is, you start to feel like a wimp.

But isn't it nice to hear someone else verify that, yes, this is in fact a complicated thing you're trying to do?



It's easy to start feeling like a dunce when your work isn't measuring up to what you want it to be, but sometimes you have to remind yourself that it's okay to be where you are right now

That doesn't mean we should cut ourselves any slack in what we expect from our (slightly overtaxed) brains. It just means we shouldn't start allowing ourselves to feel inadequate just because it takes us awhile to get to where we want to be. Because if we continue to work at it, we will continue to make progress. And despite the insecurities, despite the difficulty of it all, writing is in fact very rewarding work. Otherwise, why in blazes would we be doing it?

Take this advice from Lois Peterson: "The more you write, the easier it gets; the more you write, the better it gets. So just write the damn thing!"



What about you? Regardless of where you are in your writing journey, do you feel plagued by insecurities from time to time? How do you cope with them? And what do you do when you discover that writing is indeed very hard?

Monday, April 25, 2011

On Typing THE END.

You might have noticed that I've been rather scarce around here for the last few months.  Here's one reason:



This means that I work at a plant nursery, and spring is our equivalent to the Christmas season. 
But here is the the main reason:


This is Siria Nightingale.  She's the protagonist in my WIP, and she's done a fairly good job of keeping me singularly occupied since December.  Turns out, her story was one of those utterly consuming ones that doesn't let you rest until you've sat your little self down and told it in full.  But here's the good news: Today I typed the words, THE END at the bottom of Siria's word document.  This means I can relax a little bit, because revisions are not quite as consuming as first drafts tend to be.

But that brings me to the main point of this post.  I have a few questions for you all.  

If you are a writer, here's your question:

When you type THE END, what does your next step tend to be?  How do you personally approach the massive undertaking of revising, editing, and polishing your manuscript?  Do you use beta readers?  And if so, how do you find them, and what do you ask them to do?

And if you are a reader, here's yours:

What do you expect out of the ends of books?  What has made you feel most satisfied when you close the back cover of a book, and what makes you want to open the front cover right away and read it all over again?  How do you feel about cliffhanger endings?  In a series, what kind of ending makes you ache with satisfaction, even knowing that you have more books to read before you know the whole story?

Please share!  I have loved hearing your responses to previous questions, and I find the variety of opinions fascinating.  Happy Monday to you all!

Monday, October 25, 2010

Holy Fast-Flying Time!

I don't know about you, but for me October has gone by in a flurry of leaves and acorns.  Even now, as I sit with an only partially obstructed view of my calendar (the best I can hope for, I'm afraid) I'm having trouble wrapping my mind around the fact that November 1 is only one week away.

We all know what November 1 means.


In honor of the upcoming frenzy that is NaNoWriMo, I have prepared something rather special.  Remember back in July, when I went to the Highlights Foundation's writers workshop at Chautauqua?  And remember how I came back with a sack full of gold nuggets (aka, brilliant bits of wisdom from esteemed industry folk) I promised to shareWell, that time has now come.

What better time to read bits of writing wisdom than the week before NaNoWriMo?  I know I could use a few mind stretches myself.  So, this week I'm going to do something COMPLETELY ABNORMAL for me.  I'm going to post on this blog Every. Single. Day.

Yeah, I said it.

And because I said it, I'll bloody well have to do it.  So.  If you are like me, and you need a little tune-up to prepare for 50,000 words in 30 days, please come back every day this week.  I'm planning to share my 7 favorite workshops from my time at Chautauqua.

(Photo by James P. Blair http://www.postersguide.com/posters/three-gold-nuggets-in-a-miner-s-hands-serra-pelada-amazon-river-basin-brazil-3977045.html)

So, without further ado, here's your first gold nugget: a workshop on creativity and inspiration by author and poet Rebecca Kai Dolitch.

She began with this quote by Neil Gaiman: "Often ideas come from two things coming together that haven't come together before. ('If a person bitten by a werewolf turns into a wolf what would happen if a goldfish was bitten by a werewolf? What would happen if a chair was bitten by a werewolf?')"


Creativity, says Dolitch, is merely thinking of the possibilities. WHAT IF...?

"When you create something, it enters the world.  It has never been there before.  There is no right and wrong.  It’s yours.  It’s imagination, and there is nothing better than imagination.  And that comes from brainstorming.  Imagine the What Ifs."

"Remember when you were a child?  And you doodled, and you played, and you just did and had fun?  You didn’t know where it was going, and you didn’t care."

"Creativity is more of a lifestyle.  You have to make it a habit."

::Here are some ways to flex your creative muscles and loosen up the ideas inside your head::
- Write down new, cool words. (Free paint samples in paint stores are a great place for strange words.)
- Go on a treasure hunt for THINGS that inspire your creativity.  Keep a treasure box.  (Is that just STUFF, or is it a treasure you want to keep?)  Find things that make you think, and be creative.  Save them.
- Read nonfiction articles about inventors.  What inspired them to come up with inventions?
- ALWAYS think in metaphors.  Train yourself to constantly compare one thing to another.  Think about old letters from the ancient past.  Children think naturally in metaphors.  They also think the way Neil Gaiman does…
- Journal with words you love.  Find those words, keep those words.  Write down things that make you feel creative.  Play with words: take one and think of all the shapes of it, all the colors of it, all the ways you might combine them.
- Quotes from movies, from songs… write them down.  Write all you can, write it all down.  Every day, write in one.  Keep one with you.
- Maps can be greatly inspiring.  They can be the physical thing that gets you out of your head and wakes you up from yourself.
- Google random things and start to read, see if anything inspires you.
- Write from art.  See if something inspires you in that piece.  Take illustrations from storybooks and block out the words.  Take art.  Paintings.  Drawings.  Save the things you find.
- Take things that catch your attention and make you want to know more.  And then, investigate them.  Find out about them.  And write about them.  
- Think about if you had a magic wand and could wish for one thing.  What would it be?  A small little detail, as if you were a child.
- If you were morning, and morning could speak, what would you say?
- Think about kindergartners.  Think about what was important.
- Think of being a teenager.  Think of what was important to you.  Not the abstract things… the little things, the details.  Make lists and lists of those details.
- Make a list of favorite things, and things that make you feel creative.



For more on this subject, check out Neil Gaiman's post on ideas.  (It's wonderful.)

What about you, Dear Reader?  How do you find inspiration?  Do ideas assail you like hailstones every day of the week, or do you have to go out hunting for them with a butterfly net and a taser gun?

Monday, October 11, 2010

Sometimes Gypsies Wear Motley

VAGABOND SONG
by William Bliss Carman

THERE is something in the autumn that is native to my blood—
Touch of manner, hint of mood;

And my heart is like a rhyme,


With the yellow and the purple and the crimson keeping time.

The scarlet of the maples can shake me like a cry
5
Of bugles going by.

And my lonely spirit thrills

To see the frosty asters like a smoke upon the hills.


There is something in October sets the gypsy blood astir;

We must rise and follow her,
10
When from every hill of flame

She calls and calls each vagabond by name.


Since it is October, I think it's high time for an ode to gypsies. In my life I have wanted to be a gypsy more than anything else, except possibly a writer--or a mermaid. Gypsies have all the fun, as you can see.


If you are a gypsy, you can do things that ordinary people only dream about. For example:
- You can keep a monkey as a pet.
- You can wear long, swirly skirts and lots of bangles.
- You can dance in public to a banjo and a fiddle and a tambourine.
- You can have your own horse.
- You can eat your meals around a campfire while laughing and singing with all your friends and family.
- Your clothes can clash horrifically, and no one will judge you.
- You can go barefoot all the time.
- Your hair can be in snarls, and people will think it's pretty.
- And best of all... you can live in one of these wagons, (also called Vardos):









For more photos like these, you can visit this flickr link, and become drunk on love for gypsy life.

The more I think about this fascination, the more I see how it has trickled down from childhood and affected my life now. The way I dress, the way I write, the way I hope. My character is as influenced by the things I loved as a child as it is by the things I love today. Sometimes I think I haven't grown up much at all, I've only piled knowledge and experience onto my childhood self. That underneath this mask of twenty-something, ambitious, mature (ha!) young woman, I'm actually just a little girl who loves gypsies and mermaids and puppies.

Your turn! What has been alluring to you all your life? The adventurous gypsy life? The cutthroat high seas? The fairy tale world of castles and knights and princesses? Have those tastes carried over into your adult life and continued to shape the person you are today?

If you could spend a month living any other kind of life, what would it be?

Monday, October 4, 2010

You're Weird: Motley Monday

Once upon a time, I read an interview on Rachelle Gardner's blog with author Matt Mikalatos which was all about embracing your inner weird.  (You can read that full post here.  And I'd highly recommend it.  It's great.)  At the time, I was feeling ultra-serious about whatever it was I was writing, and thinking things like, Oh gosh this had better be so-so-so good or I'll never ever get published, and, I've got to buckle down and be serious and write in the way that people will want to read because I'll be doomed otherwise and no one will ever read my... blah blah blah.

And I remember this interview being a turning-point for me.  You see, it's always the exceedingly simple things that rattle my brains and club me upside the head with epiphanies.  I'm never boggled by the complex things; usually my little mind embraces those without flinching.  But the simple ones?  No, the simple ones tend to leave me dizzy for days.  And this was one such.

The essence of the interview was this: don't be afraid of the weird things that make you you.  And don't be afraid to saturate your writing with them.  Because it is that side of yourself, those oddities which truly make you unique, that will set your writing apart.


Now, some people are naturally more weird than others.  And that's just fine.  But whatever level of quirk you have inside you, don't be afraid to let it show.  Because, as it turns out, the world doesn't really want normal.  The world wants weird, and the world wants you. 

Take this quote (a new favorite of mine), and post it by your writing desk:

"Follow your inner moonlight; don't hide the madness." -Allen Ginsberg



And then cross-stitch this one on a pillow, and sleep on it every night:

EMBRACE YOUR INNER WEIRD. 

You tell me: do you let yourself into the things you write naturally?  Or is it a struggle for you sometimes?  What methods do you use to turn off that critical inner editor and allow your true weird self to shine through in your writing?

Monday, September 27, 2010

Writing Soundtracks (Motley Monday)

Happy Monday, Dear Reader!

I hope your day is full of raindrops on roses and whiskers on kittens.  Or at least a few cheerful smiles.

If you didn't catch it last week, Mondays are henceforth reserved on this blog for anything and everything--a blanket description which is conveniently (and intentionally) vague.  I'm calling this vagueness Motley Monday, which you can read more about here, if you feel so inclined.

Today I want to talk about music.  Specifically, music you listen to while writing.  (Or, if you happen to not be a writing type person, music you listen to while you're concentrating on something important.)

A few weeks ago, I participated in a #kidlitchat discussion on Twitter, which slowly evolved into a rabbit trail about writing with music.  Within this rabbit trail, an intriguing idea surfaced.  Several people voiced enthusiasm for tailor-made musical playlists for their projects.  Most of these writers listed bands and vocalists that particularly appealed to them depending on what they were writing, and the idea was that they created their own soundtracks for their books, assembling  a group of songs that enhanced the feeling of the story they were writing, while they were writing it.

Now, I personally cannot concentrate on my own words if someone else's are coming through my speakers, so I tend to avoid music with lyrics while I am writing.  I stick exclusively to classical music and orchestral movie scores.  But the concept remains the same, regardless of the type of music you are listening to. 

Create a soundtrack for your story to listen to while you write.

I've only done this once, while I was writing a short story set in Celtic Britain.  I pulled from the Tristan + Isolde soundtrack, the Braveheart score, and some Enya albums (who I do not find distracting), and thoroughly enjoyed the result.  But I haven't done it since, and now I begin to wonder why.  It's an enthralling idea.

So tell me: have you ever created a playlist for your WIP?  Have you found it to be a helpful excercise?

And if not, what do you listen to while you write?  Words or non-words? 

Here are a few of my favorites:



This is just one of the many mysteries of writerdom, and I think it's fascinating to hear what other people do.  Share yours! 

Monday, September 20, 2010

The Inconstant Blogger and Motley Mondays

Turns out, I'm not very good at being consistent.  I mean, I can consistently brush my teeth in the morning, and walk my dog, and write, and (usually) remember to eat food when I'm hungry... but the blogging thing still isn't second nature.

In an effort to instill some consistency into my blogging self, I've devised a plan.  It's called:

Motley Mondays.

mot·ley[mot-lee]  adjective, noun, plural -leys.

–adjective
1. exhibiting great diversity of elements; heterogeneous: a motley crowd.
2. being of different colors combined; parti-colored: a motley flower border.
3. wearing a parti-colored garment: a motley fool.
–noun
4. a combination of different colors.
5. a parti-colored effect.
6. the parti-colored garment of a jester.
7. a heterogeneous assemblage.
8. a medley.
Origin:
1350–1400;  ME; see mote1 , -ly

1.  varied, mixed, incongruous.

The idea is that Mondays will be reserved for whatever I have floating around in my brain at the time of the post.  Naturally, I'll try and corral those thoughts into useful things--like links to good blog posts, book recommendations, beet recipes, gold nuggets, writerly quotes, etc.--but the idea is that there is no rhyme or reason to it all.  Now, be warned: sometimes strange things float around in my brain.  So you might encounter anything here on Motley Mondays.  But this plan guarantees me at least one post per week.  And it gets better.
I want YOU to be involved, too.  Any given Monday, if you find you have an incongruous assortment of things to share and you don't want to tie them all together into one coherent and artful entry, just show up here and post your link, and we'll all celebrate being Motley together.

So, with that being said, I'm going to share a few awesome things.


If you like bumper stickers and/or Harry Potter and/or Shakespeare, you should have a look at this sticker.  If I didn't already have a sticker of the Hogwarts crest on my back windshield, I think I'd buy this.
http://www.cafepress.com/+shakespeare_expelliarmus_oval_sticker,196686770


Also, if you are among the lucky humans on the continent who is currently experiencing that crisp and elusive season we call Autumn, or Fall, you might enjoy this scone recipe.  (Because scones are wonderful in the fall.)  I've made it a handful of times to good results, and since I am an incompetent cook, I think that makes it foolproof.
http://allrecipes.com/Recipe/Worlds-Best-Scones-From-Scotland-to-the-Savoy-to-the-US/Detail.aspx


And if you've never been to Hyperbole and a Half to laugh your face off, I think now is a good time.  Mondays seem to need extra laughter, and this blog sure does provide.


Finally, I'd like to point out that we are exactly 41 days away from NaNoWriMo.  I'm excited.  How about you?  If you're planning to participate this year, do you know what you're writing about yet?  Do share!




Happy Monday!  I hope it is very motley indeed.  (Post your link in the comments if you have an entry you want to share.)